Wednesday, May 16, 2018
Eight Art Quilters sitting in a row at the Cloisters, NYC last week. A gorgeous day.....and a wonderful place. We were in New York to see the somewhat controversial Metropolitan costume show called Heavenly Bodies - garments created by high fashion designers based on ecclesiastical garments. The garments based on the monks' outfits in flowing simple elegant lines.... black velvet or fine wool rather than coarse sackcloth.... were the most striking...I wonder if next year's fashion will be nuns' habits for all!!!
All of the above people have been in Quilt National and Visions and many other shows...see how many you can identify!!!
Anybody feeling short of inspiration should visit their local museum or art gallery - I came away with so many ideas from the Met 20th century paintings galleries. Many of the works actually would be stronger if realized in fabric!
There's also a Miriam Schapiro retrospective at MAD (Museum of Art and Design)....lots of fused and glued and glazed with acrylic...and they looked very fine!!! Onward!!
I look forward to seeing how many you can identify!!! And, if you have been, thanks for reading....
Friday, May 4, 2018
Consider taking a class in a medium other than that in which you usually work...
I think you can learn a lot about composition through taking a good painting class - one that emphasizes planning and structure, and consideration of values. Furthermore, you can quickly try out a few ideas without having to cut into expensive fabric!!
You can learn from others' mistakes, sharpen you critiquing skills, enhance your knowledge of basic design, and pick up ideas to spark creativity.
It's very helpful to see other students in the class make basic design errors that you just know you have seen in many quilts!! Assessing other people's work is a great way to build your own sense of what will work and what problems need to be solved.
I recently attended a 5 day painting workshop - now too much of it was spent on demo - this is something that happens with painters, I find, and (thankfully!) it's something you rarely see in a quilting class - how many quilters would spend 5 hours just watching someone else make a quilt??? you're itching to get into the fabric yourself!!!
Criticisms aside, I found several things about the class to be very helpful.
The teacher began with a review of the basic elements...but stressed particularly shape. When working from a photograph, isolate the large shapes and from them derive the basic structure of the piece: horizontal, vertical, diagonal, radial, pyramidal etc. He emphasized that an art work (like an opera) should be about one main subject with supporting characters. And, it works best if there is one main type of shape but with lots of variety.
For abstract designs, one way to begin is with a doodle - doodle daily!! Make a lot of them! And then when ready to make a quilt, find the most interesting ones...the ones that are both pleasing to the eye...and have a sense of mystery or tension that forces you to want to look further.
The great thing is that everyone loves to doodle, it doesn't feel like work...and it can be done anywhere, at any time...but you are exercising your creativity every time. Don't just do the same obsessive doodle each time!!!! I know there's a temptation to do that...I like to make little chrysanthemums that grow and grow with each circuit of the flower....
Sometimes beginning the doodle with your eyes shut, or with your non-dominant hand will jump start you into something different. Just relax and take your pen for a little walk.....don't critique yourself as you go along. Do keep all the little doodles though and pin them up round the edges of your design wall...if one looks boring after a week or two, take it down....keep the interesting ones. The key to good design is to make it interesting, something that you want to keep looking at. But make a lot! the first few are not likely to be very good....your old doodle habits may want to control things!
Another way to start is by looking at something around you - could be a table leg, or a bush or a distant landscape...keep working with a continuous line. Look more at the object than the drawing itself.
As always I'd love to get comments from you - have you found doodling to be helpful? Or taking classes in another medium? What would you recommend?
And, if you have been, thanks for reading!!!