|now that's a Working Studio!|
I have a couple of cancellations for the Master Class on composition and design that I run on line...so please contact me before the end of the year - in fact as soon as possible! - if you're interested.
elizabethmasterclass AT gmail.com
This year long class is based on a private paid subscription email/blog. On signing up, I’ll give you the blog address and send you an “invitation” to join. When you’ve accepted the invitation, your email address will allow you access.
I will send you the actual exercises/assignments once a month as an email attachment, and you will send me your images as email attachments, I will upload and critique those images on the private blog.
The students have told me that the critiques (which are supportive, constructive and anonymous) are the most important thing and extremely helpful. It's especially worthwhile being able to see other people's work and read my evaluation of those pieces. That way you get a lot of examples each month on how to address specific problems.
The assignments address typical design and composition problems and cover most of the areas where things can go wrong in creating your own designs.
The aim of the class is to help you strengthen your art quilt design skills and it builds on my other online and actual workshops. We won’t be addressing construction methods, it’s assumed you are already comfortable with a method that works well for you.
Around the first of each month, I’ll describe an “exploration” or directed exercise – nothing as limited as a specific project, but rather a set of instructions for a design (or designs), each month exploring a different concept, issue, topic or idea. You can make a quilt any size. I won’t restrict your imagination! But it will be important to address the main issue to which the exercise relates. You would certainly be able to carry out most of these assignments in a way that led to a series.
At the end of the year I ask students to assess what they have learned - here is a typical response:
-the importance of actually drawing out my ideas rather than thinking I can just rely on the picture in my mind;
-it is Ok to crop out the stuff I don't really like in a picture;
-it is Ok to move elements around in a picture to make a more pleasing composition;
-value is very important and I have to move beyond so many mid-tones in my work;
-that I need to value my own critique of a piece rather than worrying so much about whether others will like it;
-that I have created a checklist based on your assignments and comments that I can use to try to figure out what isn't working in a piece;
-that art comes in many forms and may be made in many mediums, but that the basic elements of design are common to all;
-the value of cross-training in other art mediums to help inform my work in fiber".
Please email me if you're interested and I'll send you full details. Thank you! And a wonderful Winter Solstice celebration to everyone - however you enjoy it....eat drink and make merry!
And, if you have been, thanks for reading. Elizabeth