Wednesday, May 8, 2019

New Ventures, upcoming classes.



Quilt: Runner (about 50" wide)

After a break due to health problems, I'm starting to teach again...mainly online...but also around and about in Georgia.  
And not just art quilting!  but of course that is my main love...and where I have learned so much.

I have always felt the best way to learn something really well, and to get more and more in depth with one's learning is to teach.

Given that, I'm going to be teaching a painting class here in the Athens, GA area...every Wednesday 1.30-3pm.   I have never before taught a class that was a continuous weekly class and I'm so looking forward to working within a different format....if the class has enough people (and the minimum is only four so it should) we can go forward as long as we want.  That way I will be able to see how people develop and grow, and see their special interests...and as they learn, I will learn.

Painting: Light Takes the Tree

The class is at the Winterville Community Center    and starts May 15th.
I'm teaching mainly acrylic painting, but this is a water medium...so we'll also be thinning it down and using it like watercolor...as well as using it thick where emphasis and opacity is required - the best of both worlds!!

Actually, just in case you're wonder, I did offer to teach quilting, but they already have a quilting teacher, and are more interested in a traditional approach - I'm a bit way out there for the average quilter!!!


I do have a quilting class starting this Friday May 10th with the Academy of Quilting.
It's called More Abstract Art for Quilters.   I have two parallel abstract art for quilters classes...you can take them in any order, and there's no overlap in the content.
The one starting this Friday shows how to create designs based on inspirations from the well know Big Names of abstraction...and also describes some of the history...how/when/why/what of this genre.


Abstract art gives art quilt designers an incredible amount of inspiration when it comes to creativity.  In the class I show you how to take an idea from an abstract paint, spin it, mix it, whirl it, simplify it, extract the essence of it....and come up with many different ways to create designs.
It's a lot of fun!!  Having come up with the designs, then we look how to choose the best ones, how to strengthen them (if needed) and then how to build a quilt based on that design...There's a lot of hands on from me...if you want!!!  I'm happy just to stand back and admire when that is more appropriate!

Happy to answer any questions...about either class....or any teaching gigs within driving distance of Athens....just email me at:  elizabethmasterclass   AT gmail.com
And, if you have been, thanks for reading!    Elizabeth






Tuesday, April 2, 2019

How would Sherlock Holmes design a quilt?

Looking West



When you're thinking about making a quilt you are often inspired by a photo...but it's actually harder than you think to pick the right one....
it's not always the prettiest one!!!  some photos are marvelous - as photos....but not brilliant as an inspiration for a quilt. so choosing the right photo to start with is crucial!

As all good detectives know (beginning with dear old Sherlock of course!), it’s a great help to eliminate things. Narrow the field to the likely candidates.  think about why you chose the photo - probably not good if it's one of the following...THINK critically at this stage.If the reason that you chose the inspiration picture is totally based on any of the following, and nothing else, put it to one side.
Color is not important at all – any color can be changed. The beautiful colors should go into a separate “color inspiration” folder.



Value isn’t important, you can develop a strong value pattern on any background. E.g. a white wall can have all sorts of enticing shadows cast upon it…a sky can have clouds and nuances, stacks of white boxes can have light, reflected light, cast shadow, shadowed sides, side horizontal to the light source, side vertical to the light sources….
the photo on the left has very strong value patterns that could inspire you...but these could be reversed very dramatically ....AND ...are not original to the photo...I deliberately ENHANCED the values....
I don’t even think texture is the key, since you can add it too…unless your piece was all about a specific texture in which case I could definitely see beginning with it….
Subject too is largely immaterial – a good artist can make an interesting design out of any subject, in fact, that’s one of the important things about art – helping us see the beauty and design that can exist anywhere. The same is true of poetry: think about the poem by Rose Fylman that we all knew as kids: It begins: “I think mice are nice”!! 
Size – I have not found the size of the source material to be of any concern, small images can be enlarged, large ones made small.
photo of the corner of the garage...ended up as a perfect little quilt.....
Medium: again no problem, designs can be developed based on any medium that you can translate into a simple sketch: photos, paintings, fiber art, sculptures, theater…film, tv.
Pretty boring photo, but punch up the colors and the values, and then extract details and you have a wonderful series!

Incoherent jumbles of many different random objects can work: using your crop tools (the picture mat cut in half), you can find some areas that will work, but I wouldn’t recommend trying to copy something like that as a whole – so always use your crop tools when a big picture with a lot in it is your initial inspiration.
So, having taken out all the photos that related more to the above concepts, what does that leave us??

Well check out one of my   classes  to find out!!! - 
And, if you have been, thanks for reading!!!
also...happy to answer any questions...just put them in the "comments" box!  
Elizabeth

Wednesday, February 27, 2019

No Scoffing at Abstraction!


Don't be afraid of abstract art!!
Nor scoff !!!
i have one of those "know it all friends" and she happily says when looking at any piece of abstract art "well my five year old could do that!". I hate to tell her that's such an old cliche about abstract art that she may as well check her brain in for a replacement!!!


Farne Islands: Detail
In the quilt, Farne Islands, I added together several details from photographs of water and arranged them geometrically....something that several abstract painters have done.

There are so many things that a little more knowledge of them would lead to so much more appreciation and enjoyment.   I know that's true of sports...I know very little and so seeing people dashing around on a football field for about 20 seconds then stopping for a 4 minute analysis seems both bizarre and deadly boring to me....but to the aficionados that's all part of the game and requires close watching and gives hours of fun and discussion.
Same is true of music, if you understand Scriabin you'll be more likely to love it...
or vintage cars etc ....

You can't really expect to appreciate something complicated at first go, not really appreciate it.
Having said that, I do think that all art should be beautiful and/or meaningful.  Not just pretty and banal!  BUT perhaps that is the downside to knowing too much!  One hears  the cliche or sees the banality where you might not if you were fresh into that subject.

Looking West
In the quilt, Looking West, I drew the actual landscape using only straight lines and triangular shapes - something many abstract artists have done.

However, good art lasts, and weak art does not. So sooner or later if you keep looking at or listening to (or enjoying whatever it is with which ever sense it appeals to) you will be able to tell what is good and lasting  from that which is shallow.

You know I think the same thing might be true of friendships - the first time you meet new people and like them...you really don't know if with a year's exposure you would still like them.  and if you were both marooned on that mythical desert island with just a few coconut trees to sustain you, would you still like them in  a year's time???  Would you be admiring  their strengths, or all too aware of their weakness?  Actually come to think of it, this is a great analogy for knowing what would work longterm for you in art...or music.

So, if abstract art puzzles you, don't scoff, rather think about exposing yourself (not literally no!) to more and more over a period of time...and see what happens???  Honestly, I think you will find at least some kinds that you really love.

watercolor: The Tree down the Lane...
In the above watercolor, I didn't try to literally depict the tree, but rather its exuberant branches!  something that many abstract artists have done.

Abstract art is a really wide field...with many different approaches ...there's bound to be something you DO like!  And....something you can steal!!!

You might also like to check out one of my Abstract Art for Quiltmakers  online classes....

https://www.learntoapplique.com/home/2019-and-beyond-online-workshops-for-quilters/elizabeths-view-on-abstract-quilts

the next one begins March 1st.  

And, if you have been, thanks for reading!   Elizabeth

Monday, December 3, 2018

Af Klint, the FIRST abstract painter, at the Guggenheim

Sorry for the long gap in posts!
I went on a marvelous trip to Maine and New York City, and on returning home got bogged down in art fairs and recitals and whatnot!  Especially whatnot!

When in New York, I saw the Hilma af Klint show at the Guggenheim.
https://www.guggenheim.org/exhibition/hilma-af-klint
it is a MUST see!



Here is an introduction to af Klimt I wrote about 3 years ago:

Hilma Af Klint

While a number of male artists, for example Kandinsky, Braque and others, are generally regarded as the pioneers of abstract art, it is more likely that it was a woman who was the first abstract artist.
Kandinsky felt that he had painted his first abstract picture in 1911; he wrote about one of his paintings that it was “Indeed the world’s first ever abstract picture, no other painter was painting in an abstract style"..
Look at this detail with the effect of stitching!!  Love it....
Various artists vied with each other as to who was the first: as well as Kandinksy, František Kupka, Robert Delaunay, Piet Mondrian and Kazimir Malevich were amongst the earliest abstract artists.


What Kandinsky and the others did not know is that a Swedish painter by the name of Hilma af Klint (1862-1944) had created her first abstract painting in her Stockholm studio in 1906, five years before his first abstract painting. Hilma af Kllnt was lucky enough to be born in Sweden, a country that allowed women to study art long before other European countries. She enrolled in the Royal Academy of Fine Arts in Stockholm in 1882 for a five year course of study, after which she rented a studio in the artist’s quarter of Stockholm and developed a reputation as an excellent landscape and portrait painter.
In the 19th century, few believed that women could be inspired by spiritual or philosophical matters but a Russian, Helena Blavatsky, was an occultist who co-founded a “religious” she called the Theosophical Society.


What is interesting is that unlike other such organizations, in the Theosophical Society women were allowed to hold senior positions and were considered equal to men – this idea, of course, was way ahead of its time. af Klint had joined this group even before she went to art school and attended her first spiritualist séance at age 17.
So Klint was in a place and time and with people who did not discriminate against women or limit them in any way. During the séances, she made drawings (automatic drawings) which were said to have been made unconsciously and in 1906 she began to paint a series of abstracts, small canvases called Primordial Chaos. Some look like seascapes with mysterious lights, others use geometric shapes like spirals, letters, and other symbols.
During a séance, Af Klint was told by a spirit guide that she had been ‘commissioned’ to make paintings “on the astral plane”. She said: ‘The pictures were painted directly through me, without any preliminary drawings and with great force. I had no idea what the paintings were supposed to depict”.

She worked in watercolor and gouache on large (3m) pieces of paper which she laid on the floor creating enormous, dazzlingly beautiful paintings. ‘The Ten Largest’ is a visual study of the four ages of man from a spiritual perspective.
Alas, none of her work was ever shown during her life and even today, few museums accept her as a great artist.
Thank goodness!! This is no longer true....
What led Klint to abstraction? People at that time had a great interest in invisible forces; there were many new scientific discoveries such as infrared light, X-rays and electromagnetic fields. These discoveries led artists to wonder if one could paint these phenomena. Could one paint abstract things like music?
There are groups of smaller paintings too in the Guggenheim show:


The show is a marvelous step forward in the recognition of women artists, but it is also a great inspiration for all of us, no matter what medium we work in.
Go and see it!!!  It's up into the Spring.....
If you have been, thanks for reading!
Elizabeth
PS love comments!! So have at it folks!!!
Also write me:  elizabethmasterclass   AT gmail   if you are interested in a master class next year - you can join for 3,6 or 12 months..specific assignments or independent study.








Wednesday, September 19, 2018

6 hour Quilt Class.....and painting!!


Well, I've been a bit remiss with the blogs lately...I got a sudden burst of energy having been unwell for many months and am rushing around doing all the things you can't do when you have no energy!!

I started a new series of paintings....it's a result of walking at dawn every day in the summer - which is the BEST time of day to be outside for SURE!!  At least in the south east of the US.

I took a lot of photos, and am trying to figure out how to create the effect of light on the trees....
I was very much taken with a poem called The Waking by Theodore Roethke and all the images it conveys.    It seemed like it brought together some of my thoughts on the dawn walks and my delight at my renewed energy ...and I wanted to make art about it!

Not sure how to do that with fiber, so figured I'd start with watercolor.
I've uploaded quite a few images to my watercolor page.    Scroll down to see them all....this is my morning walk!




The Six Hour Quilt Class

I'm starting my six hour quilt class again this Friday with Academy of quilting   run by a lady who is now a good friend even though we've never met!!!  Plus it's good to have a boss at the opposite end of the earth!!
The Six Hour quilt class is a very fast paced class (though obviously you can take it at any speed you like) with one hour for each of the six crucial steps in quilt making.  It does assume that you can run a sewing machine  and know the basics of sewing two small pieces of cloth together but you don't need to know much more than that.  You design your quilt, choose your fabric (all from your current stash! - no extras needed), cut it up, sew it back together, quilt it and finish it....every step is clearly outlined and illustrated with short video clips from an actual class I ran in my studio last summer...nobody in the class had ever made a quilt before!  
it's a good class if you don't have much time, but want to try your hand at an art quilt, or if you want to try quilting for the first time but don't want to be bothered with rules and minutiae!!  Or if you'd like to see how to teach a one day class for your guild!   Happy to answer any questions....

Happy looking! Happy sewing!!!
And, if you have been, thanks for reading!!!   Elizabeth


Monday, August 27, 2018

An abstract moment!

No! your five year old could not have painted that abstract picture!!!
 Abstract painting  is actually quite sophisticated even when apparently simple...

In a way all painting is abstraction - if you think about it.....


 

Even a fairly literal painting like the one above has many abstract qualities...I've abstracted the colors of the new spring leaves...and then massed the shapes into large soft areas...I've played with the push pull of the dark versus the light..I've created a basic vertical structure but added dynamism with the diagonal lines...some going upwards, others grounding.... and the diagonals balance out so we don't have a sense of falling...

I find I get SO many quilt ideas from looking at abstract paintings.  From some you can "steal" the structure, from others, the color palette, from others a detail will suggest a motif.














It's so much fun!!! If you're interested in learning more....then I'm starting an Abstract Art for Quiltmakers class this Friday with academyofquilting.com

I often begin my abstract work by looking at art...then I'll play piano a bit, or go swimming and see what aspect of the art stayed in my mind.....and then do some sketches, or value studies...to see how things will work out.

Life is good, right??? when the creative juices are flowing.......
if you have been, thanks for reading!   Elizabeth




Monday, August 6, 2018

Hanging a show...let your artwork breathe!



St Ives, Pond in Winter, Rainy Rainy Night


I've been lucky enough to have quite a few shows, solo or two people ...but never before have I actually hung the show myself....and that's what I did this morning with the help of two lovely guys.
(Forgive the quality of the photos, by the way...quilts look better in fairly low light I think.)
It was so much fun and we laughed the whole time...and the crazy thing was I had been dreading it.   But in the  right place, with the right kind of help, everything went so smoothly and happily.
And it was so much better being able to choose for myself just which way the quilts and paintings (watercolors) would interact instead of having a curator (who hadn't sweated over the work) do it.



Emerald City  and 3 small watercolors

One thing we noticed was just how much better the quilts look spaced out beautifully on a gallery wall, than they do draped on a bed in a spare room (which is probably where many of us keep our quilts).  This show is going to be up for a year, I doubt there's much possibility of sales...but the quilts are breathing, and being seen and giving life to this gallery space.   When we create art we want it to be enjoyed, not rolled up in a closet!




Another artist (not fiber, a sculptor) turned down the chance of showing his work with me for he felt the gallery was not prestigious enough!!  But surely with our art we want to reach the people?  We want to convey our vision of the world?  They can agree or disagree but it will (hopefully!) open their eyes to all the beauty that is around us,  even in these very challenging times.


Heavy Metal, Swimmer, The Last Glow


So ...let your art work hang out in all possible places....and it's so much fun arranging and rearranging the pieces so they work together just right....when I was a teenager I was always rearranging my bedroom furniture - all 3 pieces of it!!  This morning I had the fun of doing just that with 30 pieces and, moreover,  without the heavy duty hammer, drill and ladder work!!! (Thank you so much to J and L for helping.)

For those in NE Georgia...this show is at Athens Academy, in the Harrison Art Center, (3rd entrance off Spartan Lane)  and will be up throughout the school year.  Opening reception Nov 4th...sometime in the afternoon - I think!!

If you have been, thanks for reading!  Elizabeth