I’ve been thinking more about color …..
Everybody loves color and quiltmakers can’t wait to get to it! In my workshops (both quilting and watercolor) I try to persuade folk to judge a design by its value pattern, but alas the seduction of the color addiction has folk slavering and shaking – “oh color more color I’m so deprived, when can I get my next fix?!!”
And color is such a visual feast! I’m just as bad as everyone else for wanting to gobble it up, for making sure I’ve got the biggest dollops on my plate!!
The children always ask “but when will we get there?” and the quiltmakers say “when can we use color?” with the same plaintive tone!!
Here is a quilt I made that has a lot of color:
The design for this quilt, however, didn’t have any color in it – it was a black, white and grey value sketch. So let’s look at this piece desaturated i.e. without any color:
One thing that is evident is that I have quite a range of darks and lights…several of the darks run together to form interesting shapes (though I probably could have used to have done more of that and it would have been stronger). There are just a few lights – this is because my main theme was the first light of a new day just beginning to catch the buildings…and that fits the theme. The sky also is a mix of darks and lights just as you see at dawn (I’ve been walking a lot at dawn this summer! 100 days over 90 will do that to you!) which again is very relevant to my theme.
Now how would this quilt have looked had I not had this strong value pattern underpinning it:
Well…it looks like I dropped it in dirty dishwater!! dragged it through the mud…even so it’s rather hard to reduce the contrast in a piece that has a lot of contrast enough to make it clear that all mid tones are a bit dull!! But I think you get the idea.
So…avoid the mud puddle!!
but what if I was one of those color junkies that uses all saturated color?
Now, do not tell me you like this!!! I’ve had to get a pair of sunglasses on to even view the screen!! too much saturated color definitely spoils the broth, ruins the child and leads to sensory overload! And I’ve seen plenty of quilts like this!
Very interestingly, reducing the intensity of the color actually isn’t so bad, at least not to my neutral loving Armani clothes desiring self:
There’s something both restful and mysterious about all those beautiful neutrals….but of course I know it wouldn’t sell and probably would never catch the juror’s eye in those tachistoscopic presentations they have to choose work from. But this image does show, I think, that a good design doesn’t need color to work – it does need value contrast however. If I subject this to the mud bath, I get:
It looks something like what I had to drive through on foggy days before they began to work on clean air. Of course, this is what the politicians and big business want us to go back to; this is how China is doing so well economically. However that’s another issue!! sorry to bring it up, the picture just reminded me.
Another thing to watch out for in designing with color is the balance of color temperature. It’s best to have a distinctly warm feel, or a distinctly cool one. My original idea (the first picture above) was that the overall temperature of the piece would be warm, a warm fresh new day. But what if I was uncertain and had an equal mix of warm and cool colors?
Doesn’t that look so weird and unsettling? it’s looks as if I’m uncertain about my message. And the equal balance just doesn’t look “pulled together”. Part of this too is because once you have an equal number of cool and warm colors, you’ve also probably got more colors than you need – too many colors is far worse than too few.
Color is a complex dish!! You need to make decisions regarding value, hue, intensity and temperature to get it just right. And now for a cup of tea – I need to get the temperature, the freshness of the water, the steeping time just right! and it’s got to be in my favorite mug too!! Think on!
If you have been, thanks for reading!!
And do comment on your reactions to these variations on a color theme…… Elizabeth
Friday, April 17, 2020
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Because I learned this value lesson in your class, I added a lot of gray to my stash. Whenever I don't have the correct colour value, I substitute the correct value gray fabric. Very helpful byproduct of the class exercise.
That’s a BRILLIANT idea, Lee! Thank you for writing about it...
I’m sure you are making beautiful work...good luck! And good vibrations!!! Elizabeth
My favourite is the neutral. I think the story tells better.
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