Ambivalence 1 |
Abstract art, by contrast, does not attempt to show things
as they really are.
In realism the artist generally tried to portray things as
realistically as they can; abstract art attempts a number of different things
but what it does not do is aim at a realistic representation of some actual
place or object. Abstract art can be
about ideas, or feelings, expressions, mood.
In effect pure abstraction is one end of a continuum and pure realism at
the other, with most 2d art somewhere in the middle.
Attempting to paint things as they really are has a long
history and was particularly popular in the mid 19th century. Realist painters wanted to make every day life
and everyday scenes into Art. Previous
to this the main focus of art had been on religious or mythological
topics. Abstract art began to appear
around the turn of the 19th/20th century with various
movements being developed: Impressionism, Cubism, Fauvism – and many more,
divisions and subdivisions!
A Summer Day Long Ago |
You can take
the same subject and paint it abstractly, realistically or somewhere in the
middle: e.g. a landscape can be shown in as much detail as a photograph, or
more impressionistically with the emphasis on the light and shade, or as
abstractly as a simple grid using just the colors from the landscape. Agnes
Martin’s grids have often been said to have been inspired by the Canadian
prairies where she was born – or the New Mexico
deserts where she moved after leaving New York. Interestingly, she herself always hotly
denied this; she wanted her grids to be a picture of perfection, the abstract idea
of perfection rather than a portrayal of something actual. And who knows what
is true? I think we probably don’t even
remember or have any idea of the power of our early visual memories.
Beehive |
The
inspiration for abstract art can come from mood, emotions, observations,
objects, geometry, patterns, details, even microscopic details – there are a
myriad possibilities. Ideas can be developed from other artists’ work (a very
common beginning point for artists ever since art began thousands and thousands
of years ago), from nature, from the construction techniques themselves and
these days, increasingly from computer manipulations! There are so many ways that can inspire us to
create ever new arrangements of the basic elements.
Fall Study |
I felt that I’ve
always made some abstract work – when
I added up how many of the 250 or so wall quilts or fiber collages (take your
pick!) I considered that about 1/3 were purely abstract and another third
significantly abstracted from my original sketch of a building or city or landscape. In reality, however everything I’ve done has
been abstract. I’ve never once attempted
a faithful realistic representation of anything – nature does that better, also
an SLR camera !!
Forcefield 2 |
There are many regions of abstraction, though, into which I’ve
never strayed and I think the task I’m going to set myself for the New Year, my
second NY resolution after “Spend more
time on Making Art!”, is to explore some of the possibilities for abstract fiber
art that I havn’t yet attempted. I think
it’s very important (unless one is a commercial decorative artist) to keep
trying things you’ve not tried before, to be very adventurous in one’s
art. In order to get into the better
shows (the top handful of quilt shows and mixed media art shows) something
different and venturesome is required.
And I think that’s right – that’s what those shows are for. The other shows are for polished techniques
and impeccable renderings of ideas we’ve seen before. I know for Quilt National this year I
deliberately chose something strong and bold and a little out of the normal
quilt range – and it paid off – or perhaps I was just lucky, who knows?!! But we do owe it to ourselves to not just
keep reproducing the same thing, in many different colors, but instead to push
forward, to be Bold.
And so with resolutions 1 and 2 in place, I shall go and
make a nice cup of tea! Meanwhile, I’d
love to hear what you have decided to do in your artistic life and what part
abstraction might play in it. Also, d’you
agree with me? Should we be bolder? Or is polishing better?
And, if you have been, thanks for reading! Elizabeth
6 comments:
timely, timely!
I've been working in the fully abstract realm for a long time but I'm working a new angle with a B&W series. Taking color out of the design equation posed new and interesting problems.
I think that we should constantly polish our thinking - and that certainly we should boldly keep pushing into the as yet unknown. Even if that apparently looks like a move sideways, or even backwards.
I too am trying to push out of a kind of comfort zone, but am as yet unsure where this will go.
I look forward to seeing how your work develops in 2013.
Bolder! I am trying to unpolish, trying to slide down the continuum more in the abstract direction with a looser, free-er approach. Your class this fall was inspiring, but the inspiration is taking me someplace different from what I expected!
Hi Terry! I'm glad you're open to trying new ideas, going new places..and I do hope they work out for you!
I'm hoping to be bold myself! Not necessarily bold work, so much as a bold approach, take more risks, have a more definite point of view.
good luck!
Why choose? Why not do both? Sometimes you innovate, sometimes you refine. I've found new ideas yield rougher results and further explorations of the idea allow for refinement. It's all good.
I am currently struggling with the idea of abstraction. I have a past experience that I need to get out of me and somewhere else and it is a feeling not something that can be done representational. I don't know how to do this yet but I am studying what I can and following your current pathway.
Pam in Oregon
Post a Comment