Updates

Well not a lot of cogitating has been going on lately!  More like gallivanting!  However things are happening - I received a large box of postcards advertising the book (send me your address if you'd like me to send you a postcard - my email is: elizabethyork100atyahoo.com).  And the book itself - or rather the cover! - has appeared on Amazon for pre-order, though apparently it won't be out till May.

I heard from Arrowmont in Gatlinburg, TN that my August class has made.  If you've never been to Arrowmont School of Arts and Crafts it is one of the best in the country.  They run concurrent classes in many different media with top notch instructors - it's an honour to work there!  so you're exposed to new developments and creativity in many media other than fiber: paper, wood, clay, metal, painting, stone, enamal, glass etc.

Arrowmont's main gallery

 It's so much richer an experience being part of the wider world of art and craft than just tucked away in one corner - however cozy that corner is!!  I've been working on some new ideas for this class too - developing quilt designs protocols based on some of the best women abstracts artists in the 20th century.

My class at The Bascom in Highlands, NC is now up on line.  This is a new venue for me and should be fun.

 The Bascom is an absolutely gorgeous new art center in a beautiful little town in Western North Carolina.  It will be quiet and peaceful and a great place to get down to some designing, dyeing and constructing!!  They like small classes so there will be lots of one on one help.

I'm also going back to Cape Cod in October again!  Linda Gallagher has the info on that class.

I've recently turned down invitations to two very far away countries...for events in the far distant future...I'd loved to have visited those places but the teaching venues were at hotels during big quilting events  - short fast paced process driven classes - and I find I like to get to know the students
and work with them one on one rather than being a production!!

I got another Teacher of the Year nomination - thank you very much whoever put my name forward for that honour!!  It's a very nice glow to feel that someone would go to the trouble to do that.

And I managed to get two quilts into the local art show - this is quite an avant garde venue so it's a leap forward for quilts to be accepted.  Plus an even more forward looking local gallery wants 5 or 6 of the industrial quilts for a special show about Working Environments... so - things are moving!

It is with great sadness though that I learned today of Carol Miller's untimely death.  Carol started the online class Quilt University many years ago and 3 years since invited me to teach there.  Heavily persuaded me!  She always insisted that the cost of the classes be kept low so that anyone could join and that the language be very clear and the supplies simple so that you didn't have to speak English very well, or worry about esoteric gadgets.    These classes have proven to be wonderful for people who couldn't attend a class away from home - either for cost reasons, or distance, or various home commitments.  Having now taught about 20 such classes I realize more and more how very important they are and how amazingly far sighted and innovative Carol was.  Yes there are other online classes but most of them are a LOT more expensive, ordinary people simply couldn't afford to do them.  Teaching for Quilt University has brought me in touch with people around the world, every continent (except Antarctica - though I'm still hopeful!)!  Carol's husband plans to carry on with the classes by the way but I know all the QU teachers will sorely miss her humour, her support and integrity and straightforward warmth.

Things change all the time, everything is in flux - enjoy what you have today - it might be different tomorrow!  It's all to do with quantum physics apparently which demonstrates that nothing ever measures the same from one moment to the next.  Oh and they use prime numbers to encrypt data and messages because it is next to impossible to factor a large prime number thus enabling asymmetric encryption i.e. coded with one key, but deciphered with another.

And now for a cup of tea...and then back to those abstract painters! And, if you have been, thanks for reading.   Elizabeth

Trends

  
Went to a talk the other night given by the director of a well known university art gallery in a rather classy Southern town.  He discussed several recent exhibitions he had curated and what became obvious very quickly was that obsessional art is still very popular. One show was all about patterns made on the floor with thousands of pounds of salt in a little salt pourer.  Try it for yourself!  Take a box of salt and doodle on the floor...If you do this with a sewing machine on fabric, you can create similar patterns, but it won't be art till you reach about 500 square feet!

  Gompertz, in his book What Are You Looking At, suggests that the current art "-ism" is entrepreneurism.  Entrepreneurism in art is defined as the ability to make art, market art and build a profitable art business.  And being able to build a hugely recognisable trade mark - in Hirst's case it's currently The Painted Dot.  Hirst has painted dots for a long time - the paintings look like color charts only the colors are in rows of circles rather than rectangles.  He made his name with the shark in formaldehyde, and flies feasting on a cow skull but these are less marketable on a world wide scale than the dot paintings.  Amazingly he managed to persuade a well known gallery with premises in most of the world's art capitals to put on a solo show of his dot paintings all around the world simultaneously!  What a brilliant marketing ploy. He's a marketing strategist par excellence and there is something very obsessive about the dots too - though I doubt he crouches down and makes very many of them himself.

Rusty Answer (detail)

So how does this relate to the art quilt world?  I think we do see evidence of both of these trends - the obsessionalism has always been evident.  Nothing, if you think about it, is more obsessional than an art form that requires millions of stitches taking months of work.  There is such a meditation involved in repeated simple manual gestures that gradually build up into an art piece.  When I left school I went to get a job at the local chocolate factory, I wanted to be the one that did the squiggles on top of the chocolates. In those days (maybe now too though I've not had a classic box of chocs for a long time, alas) every chocolate had a different pattern on top reflecting its contents.  I thought it would be really neat to sit there with my little chocolate pourer making up all sorts of designs!! (a lot better than salt if you think about it!)...but alas the personnel department told me that people like me "ruined an assembly line".   Just imagine a gallery filled with chocolates !!! a chocolate installation!

Electric Fields (detail)

Obsession and marketability are two of the trends.  But what else?  I'm afraid to say I think it's a certain blandness - there's enough horrible things going on with really scary climate change, the eternal human appetite for dispute and war, and the, alas also eternal, belief that "my religion is the true one and you are an infidel".  So, people don't want to be "irritated" (as my friend described her feelings looking at one of my most recent quilts) by any reminders of these important issues.  Another friend said that he wanted art that calmed him down not aggravated him.

I think I'm going to make a cup of tea...now what about a gallery installation of 4,000 cups of tea? hmmm....
one room with tea and one with chocolate and both very marketable.....
And, if you have been, thanks for reading!!
Elizabeth
PS if you're in or near Athens, GA, this Saturday I'm one of the featured artists at the opening of the Classic Center (2-6); I'm off to buy some salt now....

New class this Friday

"Inspired to Design" - my most popular class starts again on Quilt University this Friday.  This is the most basic class I teach.  It's about taking a photograph and extracting lots of different quilt ideas from it. 

Ideas sketched out and hung up on design wall for review

 

 

It also covers the basics of thoughtful design (I expand on those in my follow-up class Working in Series), and choosing a great color scheme.  I also go through how to block out a quilt working from a small sketch - no need to drive across town to the copy shop and spend money on a couple of large cartoons!  I don't know who started this idea that you need a full size cartoon to make a piece - certainly painters don't have that.  Perhaps tapestry artists do.

Here's the photograph

 

 

 

Here's the sketch

 

And here's the quilt!

as you can see there are some differences between the final version and the drawing - I like that - if you have the main shapes in places and the main values organized, then you can add little interesting bits if you feel an area needs them.  it's like putting a fancy door knob on the door of a house that is all previously designed.
If you're slavishly following a full size cartoon, it's a lot harder to make those little changes.  On the other hand if you have no sketch at all, then it's very difficult to have a good basic structure to the quilt design.

Eniow!  just some of my pet peeves...some people have marketing Mondays and wordless Wednesdays, I have peevish january the 29ths!!!
If you have been, thanks for reading!  And if you are signed up, I look forward to seeing you in class!
Elizabeth

Looking for the Patterns

Life has been busy round here with three separate Christmases - the family coming to stay in dribs and drabs - which has been fun but I think three is enough!!  I was beginning to feel like the guy in Ground Hog Day!   But repetition is the central point of pattern and if you look you'll see many patterns within and without your experience.

I thought I'd become very scattered making quilts, painting watercolors and then signing up for square dance lessons and coding using prime numbers!  Then I realised that it's all about patterns.

 I think patterns are what drew us into quilting in the first place.  I remember as a small child loving to visit the rose garden in the local park.  Not because of the prettiness of the flowers (though I loved the scent of roses and still do) but because of the copious dropped petals that I could retrieve and arrange into complex patterns on the old stone flags of the garden.  Of course I hadn't heard about Andy Goldsworthy and I had no photographers on hand to immortalize my efforts!!

So it was really just one step from rose petals to fabric petals in the beautiful rhythmical traditional quilt patterns (I always loved the shifting ones like Storm at Sea, or Broken Dishes) and then to square dancing.  I just couldn't figure out why square dancing would be so interesting (the other dancers are so well, "country"!!) until I realised from this website and this Japanese one  that it was the visual patterns that intrigued me.

and now to grab my code book and off to coding with primes!!  I wonder what else presents in repeating patterns?
And, if you have been, thanks for reading!
Elizabeth

workshops: past, present and future positive!

In the same way that I love taking workshops, I also enjoy teaching them...and especially the planning! Planning out a new class and doing the research leads me in all kinds of different directions which interest me a lot - and I hope will interest the students!  

Currently I'm having a lot of fun understanding, analyzing and deconstructing various abstract art works (particularly those by women artists) in both modern and contemporary art (modern being 18602 to 1970s....  and contemporary art being that made by still living artists) and seeing how their design and construction processes might relate to fiber.  I was afraid this was not a legitimate activity until I came across this you-tube clip by Elizabeth Murray - one of the foremost artists of the 20th century where she talks about deconstructing a de Koonig painting in order to learn from it.

Murray is fascinating as a painter because she was both representational and abstract at the same time being indifferent to attempts to classify her as belong to one art form or another.  There is such a tendency in the arts to try to group people according to genre - which as art quilters, or are we fiber collagers? or mixed media artists? - we constantly run into.  Murray is credited along with Philip Guston, Frank Stella and Brice Marden as rebuilding painting (which was thought to be "dead"!) during the 1970s with her innovations and bold expansion of ideas. As such she is a great source for inspiration not only for painters but for all artists.  And so are many other amazing women painters of the last 100 years!!  This is going to be a great year of exploration for me.

I did have another idea for a class - but couldn't get any interest in it...that was "the Sensuous Quilter" - we were going to see, hear, smell, feel and taste our way to new designs!!  Ah well, it's good to have some crazy ideas once in a while - even if people think you are - well - crazy!

I'd love to take a workshop in abstract art, but have never seen one...so that's why I decided to build my own!  As well as looking at videos, I'm also reading What are You Looking At by Will Compertz which proves to be a fascinating look at all the different movements there have been in art since the mid 19th century (and the invention of the camera which changed everything).

Meanwhile my Dyeing to Design class at Quilt University starts this Friday and in two weeks my Inspired to Design class also starts at Quilt University.  If you've not taken a class with me before, that's a great first class. My first abstract class will be at Arrowmont in August. Quilt University has the best value of any online classes I've come across - check them out!

And looking back to last year, I'm honoured to be nominated again for one of those Professional Quilter TOTY (Teacher of the Year) awards.  At first I was a little puzzled by the announcement that I might get a TOTY award because the word "tottie" has somewhat different connotations in England!!!

Well back to abstraction!  or is it forward....
And, if you have been, thanks for reading!
Elizabeth

Talent, skill and happiness.

Emerald City

“Oh it must be so wonderful to have such a talent!”  How often have you heard that?  D’you really believe it?  If I don’t know the person well I just smile modestly and say nowt…but if I  know them I tell them it’s  not talent but rather persistence, stubbornness and a desire to master something very difficult.  Or, at least, tame it a little.  Winston Churchill (reportedly) said:  "The way to be happy is to find something that requires the kind of perfection that's impossible to achieve and spend the rest of your life trying to achieve it."   Churchill painted – and built brick walls when he was really frustrated!   Making good art requires the development a lot of different skills, together with the determination to stick at it for a long time plus, if possible, (but, alas, hard to find), an encouraging and insightful teacher. Robert Genn, a renowned Canadian painter of landscapes, described four basic skills that he thought imperative for the serious artist.  Like most of the books I’ve read on the subject he rated drawing as one of the most fundamental and most important skills.  Traditionally, for hundreds, if not thousands of years, art schools have also emphasized drawing.  There are lots of good books on the subject – I particularly like those by Carrie Parks who was a police sketch artist trained by the FBI!  She focuses on the ability to actually see what you are looking at, and NOT to glance, label, then bring up a cartoon like symbol in the mind rather to focus on the reality of the shapes and wiggly lines that make up a landscape.  It’s important to tell the left brain with its stylized “trees” or “flowers” to shut up! Don’t work with names like “tree”, “boat”, “head” instead find the basic shapes.  The next step is to develop a basic measure (e.g for the human face this might be the width of the eye), then “measure” everything else using that as a “yardstick”. Most people have the width of one eye between the two eyes…etc.  Drawing is based on developing such “measures” like the point of a pencil held at arms length, then looking at the relative sizes of the objects AND the spaces between the objects in terms of “eyes” or “pencil lengths”.  As you can see, being able to do this is a technical skill, that can be learned in the same way that children learn to recognize letters of the alphabet.    Genn’s second skill was color.  For anyone working in a medium using color like fiber artists, it’s very important to know about hue, value, intensity and temperature in color.  It’s crucial to be able to recognize – and manipulate – the effect that colors have upon one  another and how to choose and group colors within a composition. The third skill he mentioned was abstraction which really struck me as I’m currently very interested in abstract art.   What exactly is it?  I realized it wasn’t just arbitrary splashes of paint on a canvas or pieces of fabric thrown at a wall (though that certainly can be fun it’s just as likely to lead to good art as those poor monkeys still slaving away on their typewriters (or probably computers these days) trying to come up with a Shakespeare play). Abstract art has been defined as a “controlled visual magic” – wouldn’t it be wonderful to say “oh I’m a fiber magician” when people ask what you do? The control consists of a) a defined structure, b) using  compositional guidelines thoughtfully and c) working with implication, suggestion and mystery rather than literal representation. Good abstract art yields an emotional reaction, before the frontal lobes take over and start to analyze.  A mix of abstraction and realism adds tension and mystery.  I love art like this – where you think you can almost see where the artist started. And talking of Composition, that’s the fourth skill that Genn lists.  He feels that “composition is the queen of the skills”. Having the ability to compose those basic elements well is what makes the magic hold up! Good Composition is a Bach cantata, you know there is a basic structure, there are rules of harmony and so on but within that Bach manages amazing feats of rhythm and melody and contrast. Being able to capture, hold and intrigue the eye entrancing it with the variety of different moods and shapes, edges, and lost edges, all kinds of magical things going on and yet coming together to form a complete whole is a wonderful thing. Hopefully, not an impossible one! The person who has been able to develop all these skills will have a unique voice, the ability to express feeling within their art.  And thus that unique voice will be seen as an amazing talent.  But we know…the magician didn’t just happen to find the rabbit in the hat….!  Having delineated these skills, the building blocks of “talent”, Genn pointed out that there was nothing wrong with simply making art for the fun of it without trying to build one’s knowledge and skill.  But:  “But if you persist in this direction, your unskilled work will be like that of so many others--and you will begin to bore yourself. On the other hand, the skills I suggest are worth learning for their own sake--and they will stand you well no matter what you try to do. They are hard won. We value most what is hard won--and so do many others. Skills worth learning take time and patience.”  And remember Churchill: "The way to be happy is to find something that requires the kind of perfection that's impossible to achieve and spend the rest of your life trying to achieve it." Isn’t that great!! As well as art I’m also going to learn square dancing and with my co-ordination that going to be impossible too!   I’m off for a cuppa tea!  And, if you have been, thanks for reading! Elizabeth PS I have two online courses starting within the next few weeks: Dyeing to Design on January 18th and Inspired to Design on Feb 1st.  check with quiltuniversity.com if you’re interested.  Quilt university’s courses are without doubt the best value for money of all online classes – it’s an amazing organization. PPS I'm happy that the quilt at the top of this blog: Emerald City has been chosen by the American Ambassador in Monrovia, Liberia to be shown in the American Embassy there as part of the program Art in Embassies!  quite an honour and a lovely surprise.

Unpredictable, beautiful and shaggy!

Amy Sillman     Cliff

A painter whose work I really admire is Amy Sillman – if you Google “Amy Sillman images” you’ll come across a lot of great pictures.    She’s an abstract painter who also incorporates almost identifiable images that tease your mind into a Gestalt whirl!   She writes that she wishes her work to be

"Every day the raw, the goofy,

the inexplicable, the urgent,

the disrupting, the embarrassing,

the awful, the complex, and the 

fearsome barge into my life,

whether I like it or not. I respond

with paintings that are partly cartoon,

partly lament, partly grudge, that I 

hope are unpredictable, beautiful,

but sort of shaggy”.

I’m enjoying spending these first days of the New Year soaking myself in art – it’s so refreshing and enjoyable compared to the dire tv we have these days – the endless yapping heads, the stupidity, the lack of compassion and complete absence of long sightedness.  It seems like everything and everybody is just looking for what will gain the maximum profit.  I’m even being deluged with emails by companies whose products I reviewed with less than 5 stars on Amazon – they want me to give them 5 stars whatever I think about their product “because it will hurt their ratings” – as if that is reason enough!!  It’s like the school kids who feel they should have an A because of their GPA – the quality of the work is irrelevant.  I bought a new mp3 player to replace one on its last legs and discovered that the new ones only work properly with downloaded and paid for music – not with free library books!

And so to turn to art is so refreshing – to find the unpredictable, the beautiful and the shaggy is wonderful.  Turning the annoyances of everyday life into beauty!! Hmm I wonder what sort of a quilt I could make about eye drops, mp3 players, chattering inanities and cliffs?

If you have been, thanks for listening!

Elizabeth